Topics: Design: Web Fonts
There’s life after Georgia and Verdana. Using standard CSS @font-face to embed licensed fonts on your website. How it works. Licensing concerns. Browser concerns. Platform issues. Standardization. Font formats. Intellectual property and licensing. Typekit and other solutions. Versus Flash. Versus sIFR. Versus Cufon. Web standards and typography. (6 articles)
CSS3 Bling in the Real World
by Chris Mills
Issue 331July 26, 2011
It’s here, it’s queer, get used to it! CSS3 is fun and fabulous, and if we design with progressive enhancement in mind, we can add all kinds of CSS wizardry to our websites and applications without worrying about how things work (or don’t) in old browsers and outdated devices. But what happens if our audience includes folks who use non-Webkit-powered phones? And what if our clients still believe a web page is supposed to look and work the same in every device? Learn to make CSS3 yumminess as cross-browser as possible.
More Meaningful Typography
by Tim Brown
Issue 327May 3, 2011
Designing with modular scales is one way to make more conscious, meaningful choices about measurement on the web. Modular scales work with—not against—responsive design and grids, provide a sensible alternative to basing our compositions on viewport limitations du jour, and help us achieve a visual harmony not found in compositions that use arbitrary, conventional, or easily divisible numbers. Tim Brown shows us how.
Web Fonts at the Crossing
by Richard Fink
Issue 307June 8, 2010
Everything you wanted to know about web fonts but were afraid to ask. Richard Fink summarizes the latest news in web fonts, examining formats, rules, licenses, and tools. He creates a checklist for evaluating font hosting and obfuscation services like Typekit; looks at what’s coming down the road (from problems of advanced typography being pursued by the CSS3 Fonts Module group, to the implications of Google-hosted fonts); and wraps it all up with a how-to on making web fonts work today.
On Web Typography
by Jason Santa Maria
Issue 296November 17, 2009
Until now, chances are that if we dropped text onto a web page in a system font at a reasonable size, it was legible. But with many typefaces about to be freed for use on websites, choosing the right ones to complement a site's design will be far more challenging. Many faces to which we’ll soon have access were never meant for screen use, either because they’re aesthetically unsuitable or because they’re just plain illegible. Jason Santa Maria, a force behind improved type on the web, presents qualities and methods to keep in mind as we venture into the widening world of web type.
Real Web Type in Real Web Context
by Tim Brown
Issue 296November 17, 2009
Web fonts are here. Now that browsers support real fonts in web pages and we can license complete typefaces for such use, it's time to think pragmatically about how to use real fonts in our web projects. Above all, we need to know how our type renders in screens, in web browsers. To that end, Tim Brown has created Web Font Specimen, a handy, free resource web designers and type designers can use to see how typefaces will look on the web.
CSS @ Ten: The Next Big Thing
by Håkon Wium Lie
Issue 244August 28, 2007
Ten years ago, Håkon Wium Lie and Bert Bos gave us typographic control over web pages via CSS. But Verdana and Georgia take us only so far. Now Håkon shows us how to take web design out of the typographic ghetto, by harnessing the power of real TrueType fonts.
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